Who is Andy DiPietro

  • Andy is a self-taught wood sculptor living in Burlington, New Jersey.
  • Professionally, he’s trained as a mechanical design engineer — he has a BSME (Bachelor of Science in Mechanical Engineering).
  • For over 20 years, he’s balanced his technical background with his love for art, channeling that into sculptural wood art.

🪵 Artistic Style & Approach

  • Andy’s work as a fusion of “Art and Engineering.” He selects hardwoods with unusual coloration and figure — wood whose grain and natural character help produce striking results.
  • He carves wood while it’s wet, then lets it slowly dry — a technique he developed after many years of experimentation. The process gives his pieces distinctive fluidity, depth and movement.
  • His sculptures frequently evoke organic, flowing forms: folds of fabric, waves, undulating vessels — sometimes reminiscent of water or movement in nature.
  • After carving, he enhances the wood grain through techniques like sandblasting, staining or dyeing, and applying oil finishes — emphasizing grain flow, texture, and wood figure.

🏆 Recognition & Exhibitions

Andy’s wood art is widely recognized among wood-art aficionados and has been featured in notable publications and exhibitions:

  • His pieces appeared in journals and magazines like American Woodturner, Creative Woodturning New Zealand, and Woodturning Magazine (England).
  • Some of his sculpture titles — e.g. “Fiore Rosso”, “Torrent”, “Rising”, “Marbleized Maple” — have toured nationally through juried exhibitions of the American Association of Woodturners (AAW) in years such as 2010, 2013, 2014, 2016, 2018.
  • He was invited as an artist in the 2015 AAW juried exhibition.
  • In 2013, his sculpture “Entwined” — made from spalted elm — earned an AAW Excellence Award.
  • More recently (2022), he won a Sculpture Jurors Award from New Hope Arts for his undulating bowl series.

 🧑‍🔧 What Makes His Work Stand Out

  • The combination of engineering discipline + artistic creativity: his background in mechanical design gives him a precision and structural understanding — but he uses that as a base for organic, flowing forms rather than rigid, mechanical shapes.
  • Mastery of wood’s natural beauty: Rather than hide the wood’s grain or imperfections, Andy uses and enhances them — often selecting woods with “uncommon figure” and working with their inherent qualities.
  • Fluid, dynamic forms: Many of his pieces suggest movement — folds, waves, flowing surfaces — which is unusual in traditional woodturning or woodcraft.
  • Attention to finish and texture: By sandblasting, dying, and oil-finishing, he reveals the wood’s depth in a way that emphasizes not only shape but also tactile and visual richness.

 

, Artist Bio